Col. Catherine Powell (Helen Mirren) wakes up in her U.K. home. She checks her secured laptop for the daily briefing. Then, she makes her way to the command center. When she arrives, the target is established to be an Al-Shabaab safe house in Nairobi.
Meanwhile in Nevada, Lt. Steve Watts (Aaron Paul) wakes up at the same time as Col. Powell. He is a drone pilot for the U.S. Air Force. When he arrives on base, he awaits the mission brief. The mission brief will be delivered by an Air Force Lt. Col. However, it is overseen by Col. Powell.
The goal is to bomb a safe house containing two former British nationals and one former American national. However, they are considered three of the top five terrorists in Kenya by British and U.S. intelligence. The man calling the shots for the British military is Lt. Gen. Frank Benson (Alan Rickman).
Yet, they have a covert officer in Kenya. His name is Jama Farah (Barkhad Abdi). However, he’s at the greatest risk of all. Farah’s assignment requires him to operate small drones within the terrorist safe house. The drones resemble a hummingbird and a beetle. However, the beetle is the key. It is the eyes and ears within. Without this drone, the mission could be compromised.
It sounds easy enough. Target the terrorists and blow them up. What could possibly go wrong?
Wait, what’s the young girl doing? She is setting a bread stand. Oh, okay. No wait; it’s right behind the target. Take the shot and risk an innocent life or make a compromise.
Will the U.K. and the U.S. make the right call? Will the terrorists be stopped in time? What about the young girl?
Eye in the Sky is skillfully directed by Gavin Hood. Hood is best known for the 2006 Oscar winning film Tsotsi. His direction is beautifully complimented by Guy Hibbert’s pretzel logic screenplay. Haris Zambarloukos’ cinematography takes viewers from inside the terrorist safe house to the international skies above Kenya.
Mirren commands the screen as Powell. Paul is brilliant as Watts. Abdi thrills and is in danger as Abdah. However, Alan Rickman gives us a heartfelt and occasionally hilarious performance as Lt. Gen. Benson. His final role will be the feather in the cap of a stellar career.
Rickman, Mirren, and Paul should be considered as acting nominees at the 2017 Oscars.
Eye in the Sky is the reason that we seek out smaller films. It gives us a bird’s eye view into the war room of one mission. Although, we have no idea how many times this scenario happens daily. Yet, we go on reading US Weekly, kind of ignoring The Kardashians, and flipping past the real headlines to get to the sport scores.
Hood should be proud for directing one of 2016’s best and potentially most talked about films. He gave viewers an opportunity to question how they would address & handle the situation. I overheard film goers questioning the on-screen actions of the war room during the screening. It is an atypical and provocative film when such reactions occur.