Remember being at the introduction of the new sheriff of Rock Ridge and being enthused until the residents found out that he was a (Church Tower Bell Ringing Loudly).
Blazing Saddles is the story of Hedy Lamarr (Harvey Korman), Ahem, that’s Hedley Lamarr (“You mean she’s suing people back then?”), California’s State Attorney General. Lamarr is hellbent on seizing a town called Rock Ridge. Rock Ridge is directly lined up with the incoming railroad. Excuse while I backtrack this now.
Before Hedley’s plans, viewers are introduced to the Negroes and Chinese building the railroad. One Negro will grab attention more than the others and his name is Black Bart (Cleavon Little). Bart has chutzpah unlike most of the other brothers. When asked by white supervisors to sing, Bart and the other Negroes begin singing “I Get A Kick Out of You”. This action causes the whites to break out into spirituals. The cracker chorus is silenced by Lyle who selects Bart and another man to go spot quicksand (as punishment). However, they begins to sink soon after and are left to drown. Bart is furious, swims out, and hits him with a shovel. However, the quicksand will ricochet into Hedy (ahem Hedley Lamarr)’s favor.
Lamarr will send Taggart (Slim Pickens) to pillage Rock Ridge. His actions work and Rock Ridge town folk tap a telegram to Gov. William J. Petomane (Mel Brooks). Petomane is schlemiel to Lamarr’s schlemazel in taking over the town. Hedley convinces the Gov. to appoint a new sheriff, Black Bart. Let the farts and farce fly freely.
Blazing Saddles soared and roared into unexplored territory thanks to Mel Brooks’ steady handed (“Wait, That’s not my shooting hand. This is one is (hand shakes uncontrollably).” direction. His co-written screenplay featured the talents of Andrew Bergman, Richard Pryor (yes, that Mother Effer), Norman Steinberg, and Al Uger. The script took Westerns and political incorrectness to a new level that still enthralls viewers. Mel supported a hilarious, diverse ensemble including Harvey Korman (Hedley Lamarr), Madeline Kahn (Lily Von Shtupp), and Gene Wilder (The Waco Kid). He stepped into a dust storm with the legendary campfire scene. It marked a Hollywood first, the birth of the fart joke. Thanks, Mel, you’re the unofficial enemy of primary and secondary teachers everywhere; JUST KIDDING! Hell, they love it just as much as the students.
On a side note, I had the privilege of attending Mel Brooks: Back in the Saddle, Again on Tuesday, October 13,2015 in Nashville, TN. After screening Blazing Saddles, we were treated to a Q & A with Mr. Brooks himself. He shed light on many aspects of this classic and several other films (The 12 Chairs and Spaceballs to name a few).
The following are some facts that most Blazing Saddles viewers don’t know:
- Mel wanted John Wayne to play The Waco Kid. (John couldn’t play the part because it was too dirty. However, he told Mel, “I will be first in line when it’s released”.)
- The fart sounds were made with soap in armpits (by Mel and other crew members) and one very flatulent guy miked in the editing room.
- When Mongo (Alex Karras) punched the horse, the horse was trained weeks prior to fall on cue. The trainers used fishing line loosely attached to coach the horse. The horse received an apple each time and eventually the fishing line was taken away. (Oh, The Horse wasn’t harmed; the punch was pantomimed).
- Gene Wilder pitched Young Frankenstein to Mel Brooks during the filming of Blazing Saddles.
- One of Richard Pryor’s famous lines in the film is from Mongo: “Mongo only pawn…in game of life.”
- Richard Pryor was Mel’s original choice to play Black Bart. However, Warner Bros. wouldn’t insure Richard because of his drinking and drug use.
- If Mel had taken the advice of Warner Bros.’ studio head, he would have to cut out 23 different things including The Campfire Scene and Mongo punching the horse. Mel said, “If I would have taken his advice, the movie would have been only 11 minutes. However, I took his memo, threw into the trash can, Two Points.”
Oh, I forgot to mention that Mel had several special guests in the audience including his son, Max Brooks (World War Z) and one of the screenwriters, Morgan Steinberg. Mel asked Mr. Steinberg to please stand and he was seated behind me. He co-wrote My Favorite Year and many other television and film projects as well. I waited until the Q & A was over and asked Mr. Steinberg if he’d take a picture with me. I also got to speak with him for a moment for two. He was very humble and told me, “I only worked for three weeks on this project.” It’s not everyday that a film fan gets the privilege of meeting someone who knew and worked with Richard Pryor. Also, getting to hear from two men who worked first hand with Mr. Pryor is priceless. Thanks for the picture, Morgan Steinberg.
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